The installation Water and silence is offered to whoever wishes to look at it, read it, listen to it or think about it, as an open proposal, where the different languages that make it up arise and participate in the same idea that unites them and grants them genetic unity. Thus, the visual aspect, the poetic-textual aspect or the musical-sound aspect, cohabit imbricated in a fabric that connects them and gives them meaning within the whole.

From the most primitive cultures to the present day, the figure of the dragon - Drache in German - has been a universal symbol that has survived in the East and West, embodying the myth of the monster and the representation of the devil, but also the image of the animal or that which is animal in ourselves.

In Scenarios for a journey the artist proposes an initiatory journey through a triad of spaces, objects or scenarios that invite the experience of art as a pilgrimage to reach sacredness, immortality, absolute reality or the search for a center as utopia...

Listening to the night of the eye brings us closer
to that light that wets and consoles the moors:
a glow that anoints us when it flows from the hollow shadow.

In Oriol Espinal's work, the word is content and form, theme and structure, a morphology of the verb, the sacred word capable - as the artist himself says - of "generating its own graphic heart and, at the same time, the periphery that frames and defends it". In the various preparatory studies, as well as in the final version, Espinal uses two images to create this disturbing and enigmatic work entitled Unity: the word and the hand. Two elements from which a contrast between "united thought and single thought" emerges.   Maria Lluïsa Borràs

Ritual-musical action
to José Gutiérrez (1956 - 2015), in memoriam
Fernán Pérez Mill (Cabo de Gata-Níjar), August 10, 2015.

Crossroads was an interactive digital art project created between 2000 and 2002 using Adobe Flash technology. However, due to the removal of the .swf player, we now present it as a video simulation that lacks all the original interactive functions. As a result, the viewer's experience is reduced to a mere passive observation of the images, animations and sound backgrounds.

The commission from the Oficina de Gestió de Monuments arose with the aim of improving the versatility of the apsidal space of the Collegiate Church of Sant Vicenç de Cardona. From the outset, three requirements were put to me. The first was that the altar had to be mobile...

The rumour of other worlds is a piece created especially for the group exhibition Para Goya. The singularity of the work lies in a conceptual play on intaglio techniques. In this regard, it should be said that to create the portrait of Goya in the piece, I used an original print of the self-portrait with which the Spanish painter preludes the series Los caprichos (The Whims).

Bibliophile book (no. 4 in the Tríptic collection) with poems by Àlex Susanna and an engraving by Oriol Espinal printed by Masafumi Yamamoto. Print run of 75 copies numbered and signed by the authors.